Armadillo Fists has a non-linear structure but is still incredibly easy to follow. The concept is both bizarre and funny. I especially liked the ideas of “Dop”(doppelgänger) conventions, having living armadillos for hands, driving dinosaur-shaped cars, and a legless and armless character who, over the course of the book, became quite likable while remaining funny.
Armadillo Fists owes just a little bit to Reservoir Dogs (and Carlton Mellick III acknowledges his debt to Quentin Tarantino in the introduction, in addition to Neil Gaiman’s “urban fantasy” works (this seemed less apparent, although the only “urban fantasy” work of his I’ve read is Neverwhere)), but the influence is slight and does not detract from this work’s utter originality.
I did grow a bit bored during some of the sections of cartoonish violence, but Carlton Mellick III has a way of introducing consistent surprises and unexpected concepts to keep the pages turning and reader feeling both time and money were well spent.