Tag Archives: poetry

“Scarry Skies”

27 Feb

“Scarry Skies”

I’ll take down the rain

the sky

to undress it

bold as a cherry wood wardrobe

the parlor boys grip their chips

the dents and sparks where you used to

lay your tangled hair, a battle hive

of chain-link barbed-wire bolts

casings and pirouettes in barrels

pure or loud as the silver bell

stricken to cold ears

hearing the roof talk

to the weather’s van

a tonic vain

as stripes could lose their muster

but spots could turn us around tonight

leopards and the wild jaguars caw

pull levers from their spectacle drawers

give me a paradise,

faked or photographed

in guilty hideaways,

not the bone crunch of skull:

a messiah turned away again,

waterfalls to lead you back

through hovering alleys, the juniper coat

emeralds the deep river

eyes agleam with this jungle carnation

to torture and rescue us

because the sunlight

is an impossible illusion.

“Stronger Than Your Answer”

26 Feb

“Stronger Than Your Answer”

Bacteria swarms to a new shore

while ants take a bath in the kitchen

and the warm glow of a bed of nails

and the faint putrescence

of a warm glove

veined by icy hands.

I missed the train

to turned hips away from the cougar fire

a rug moistening at the specter

beneath the mantle, cold candles

the roast of a disowned son

the icicle bouquet queen,

coated in liquid silver minutes

faded phone calls.

“The Last Time I Saw You”

24 Feb

“The Last Time I Saw You”

Turning a corner, the train whistle blew

down the drain, rupturing our fluids

the night when your body relaxed

without you, fish

swam through my hands

the blue dishwasher bleached a pellet

in the dark of the kitchen,

our lips chapped,

our skin crumbling to waxy tissue

it was the last time I saw you

in the house of broken windows

of folded petals

of folded grasshopper wings

where these thistles rasped your throat

to desire a summer long ago

when we both lost our bathing suits

and split down to the rope

on the swing above

the slapping of the waves

riding your bike backwards

we’re friends for pain

the locker room killers

don’t let the mirror drop

don’t let this dinner end

please put away the props

shield me from your dressing gowns

and chain my heart.

“Boyhood”

22 Feb

“Boyhood”

for Richard (“Buz” (“Pop”)) Russell

Flapping wings to call you home

a red barn and dirty boots

your mother’s writing poetry

and we drive around in circles

you were embarrassed to be lost

and you wanted us to be together

on an orange-leaf afternoon

you’ll crack a smile and know everything

and I’ll learn.

There’s a rumor about boyhood,

although ours felt centuries apart:

boys don’t cry,

don’t hurt,

and don’t feel.

But that’s just a rumor about boyhood—

that’s just horse feed and crab apples.

Let’s ride our horses through the dark,

patting the hot metal on backs of trucks

ready to haul lumber to glittering casinos.

Let’s live one more rumor about boyhood

before they find us hiding in the woods

with flashlights near tents

before they find us to tell me you’re gone.

“Spider Bite”

21 Feb

“Spider Bite”

It reminded me of my boyhood

in the Pacific Northwest,

that sense of the laundress—

which reminded me of my boyhood

in Los Angeles,

that sense of the boundless—

and I don’t care what the doctors say

when your mother paints a snowy picture

on your bedroom wall,

or we killed a mighty falcon

in our boyhood reverie,

or the spider bite:

a mountain of moles;

the fluid drips through your system

from its hairy jaws

mandibles wash up on the shore

of your spooned skeletons

relaxing in a beauty box,

or betray the hoax to a lavender ghost

he stops by the mirror sometimes

as if to redirect ancient wizards:

ghouls in their bird mobiles

a fair thorn away from here

pinpricked by your favorite goddess.

“Kindly Ones”

20 Feb

“Kindly Ones”

The darling young starling marks

her glass eye

we drowned in the chandelier, looking on

the bullseye marks

the doorknob growing further away

into your thigh-light eyes,

wish we’d met

a blind capsule

a rose, a Sharon

a dimple pressed on sheets

makes a goat neigh

a swan wearing tap shoes

scrambles up a sandy bank

a gift from a friend

however you use this tissue

of the sunken depths

lead no unicorn or lichen

through unfortunate schools

relaxing their grip, but taxis turn

photos fool no proof

for the goat-herder’s daughter

beneath buttercups

the nail worms thrash

palm trees moisten the soda trees to ash

the fruit of havens, hairy and burnt

ballast spells a missing thunderbolt.

“Proud Passerby”

19 Feb

“Proud Passerby”

We’re proud of you

when the healing comes tonight

when the bough shakes embers

through banana rowboats,

when the headlights come tonight:

a wounded boat on a torn sea

hook to sinker, a blister pops

peeled by an alabaster blaze of line

illegal girl poetry by scissors lie

which smudges fish lips to fingertips

trout look-out towers to antelopes

sewed to jackals’ backs,

hard-rode to sundown

scared skeletons made of feathers

a slashed sailor hunting hurt

for a cooked kiss.

Monday Blue – Storybook True

30 Sep

20130930-233229.jpg

“Has it got you down then, Sugar Baby?”

“Have I got a story for you!”

20130930-233337.jpg

“That’s where it all began…”

20130930-233425.jpg

“Or was it here? Yes, here.”

“When the purple rays ceased surrounding you, it turned out you felt unwelcome on our planet”

20130930-233608.jpg

“Dinner was a fair game. You left The Lot to play ‘sparkle above the jump rope.’ Really, our planet LIKED you. You should at least know that, dear.”

20130930-233902.jpg

“Come back soon. ‘Monday Storytime Hour’ they call it.”

Ginger Baker – Cream Blinding Reality Blur

25 Sep

20130926-000756.jpg

Beware what he guards, or what he has forever guarded; for beneath those crackling snares and blurred sticks, you might catch the ghost of Max Roach or the birth of psychedelia. The tyme has come to revisit those Cream records as loudly as possible–to redial and recall that sparkling fusion in the shadow of a glare; now let the screaming axe ride the horizon of his pounding as the bass pedals back, slipping from the sweet sweat of fear.

Vampire Film Poem (Baudry Lair)

10 Nov

20111110-232914.jpg

Le Vampire
Toi qui, comme un coup de couteau,
Dans mon coeur plaintif es entrée;
Toi qui, forte comme un troupeau
De démons, vins, folle et parée,
De mon esprit humilié
Faire ton lit et ton domaine;
— Infâme à qui je suis lié
Comme le forçat à la chaîne,
Comme au jeu le joueur têtu,
Comme à la bouteille l’ivrogne,
Comme aux vermines la charogne
— Maudite, maudite sois-tu!
J’ai prié le glaive rapide
De conquérir ma liberté,
Et j’ai dit au poison perfide
De secourir ma lâcheté.
Hélas! le poison et le glaive
M’ont pris en dédain et m’ont dit:
«Tu n’es pas digne qu’on t’enlève
À ton esclavage maudit,
Imbécile! — de son empire
Si nos efforts te délivraient,
Tes baisers ressusciteraient
Le cadavre de ton vampire!»
— Charles Baudelaire

The Vampire
You who, like the stab of a knife,
Entered my plaintive heart;
You who, strong as a herd
Of demons, came, ardent and adorned,
To make your bed and your domain
Of my humiliated mind
— Infamous bitch to whom I’m bound
Like the convict to his chain,
Like the stubborn gambler to the game,
Like the drunkard to his wine,
Like the maggots to the corpse,
— Accurst, accurst be you!
I begged the swift poniard
To gain for me my liberty,
I asked perfidious poison
To give aid to my cowardice.
Alas! both poison and the knife
Contemptuously said to me:
“You do not deserve to be freed
From your accursed slavery,
Fool! — if from her domination
Our efforts could deliver you,
Your kisses would resuscitate
The cadaver of your vampire!”
— William Aggeler, The Flowers of Evil (Fresno, CA: Academy Library Guild, 1954)

The Vampire

You, who like a dagger ploughed
Into my heart with deadly thrill:
You who, stronger than a crowd
Of demons, mad, and dressed to kill,
Of my dejected soul have made
Your bed, your lodging, and domain:
To whom I’m linked (Unseemly jade!)
As is a convict to his chain,
Or as the gamester to his dice,
Or as the drunkard to his dram,
Or as the carrion to its lice —
I curse you. Would my curse could damn!
I have besought the sudden blade
To win for me my freedom back.
Perfidious poison I have prayed
To help my cowardice. Alack!
Both poison and the sword disdained
My cowardice, and seemed to say
“You are not fit to be unchained
From your damned servitude. Away,
You imbecile! since if from her empire
We were to liberate the slave,
You’d raise the carrion of your vampire,
By your own kisses, from the grave.”
— Roy Campbell, Poems of Baudelaire (New York: Pantheon Books, 1952)

The Vampire
Thou who abruptly as a knife
Didst come into my heart; thou who,
A demon horde into my life,
Didst enter, wildly dancing, through
The doorways of my sense unlatched
To make my spirit thy domain —
Harlot to whom I am attached
As convicts to the ball and chain,
As gamblers to the wheel’s bright spell,
As drunkards to their raging thirst,
As corpses to their worms — accurst
Be thou! Oh, be thou damned to hell!
I have entreated the swift sword
To strike, that I at once be freed;
The poisoned phial I have implored
To plot with me a ruthless deed.
Alas! the phial and the blade
Do cry aloud and laugh at me:
“Thou art not worthy of our aid;
Thou art not worthy to be free.
“Though one of us should be the tool
To save thee from thy wretched fate,
Thy kisses would resuscitate
The body of thy vampire, fool!”
— George Dillon, Flowers of Evil (NY: Harper and Brothers, 1936)

The Vampire
Thou, sharper than a dagger thrust
Sinking into my plaintive heart,
Thou, frenzied and arrayed in lust,
Strong as a demon host whose art
Possessed my humbled soul at last,
Made it thy bed and thy domain,
Strumpet, to whom I am bound fast
As is the convict to his chain,
The stubborn gambler to his dice,
The rabid drunkard to his bowl,
The carcass to its vermin lice —
O thrice-accursèd be thy soul!
I called on the swift sword to smite
One blow to free my life of this,
I begged perfidious aconite
For succor in my cowardice.
But sword and poison in my need
Heaped scorn upon my craven mood,
Saying: “Unworthy to be freed,
From thine accursed servitude,
O fool, if through our efforts, Fate
Absolved thee from thy sorry plight,
Thy kisses would resuscitate
Thy vampire’s corpse for thy delight.”
— Jacques LeClercq, Flowers of Evil (Mt Vernon, NY: Peter Pauper Press, 1958)

The Vampire

You who, keen as a carving blade,
Into my plaintive heart has plunged,
You who, strong as a wild array
Of crazed and costumed cacodaemons,
Storming into my helpless soul
To make your bed and your domain;
— Tainted jade to whom I’m joined
Like a convict to his chain,
Like a gambler to his game,
Like a drunkard to his bottle,
Like maggot-worms to their cadaver,
Damn you, oh damn you I say!
I pleaded with the speedy sword
To win me back my liberty;
And finally, a desperate coward,
I turned to poison’s perfidy.
Alas, but poison and the sword
Had only scorn to offer me:
“You’re not worthy to be free
Of your wretched slavery,
You imbecile! — For if our means
Should release you from her reign,
You with your kisses would only breathe
New life into the vampire slain!”
— Atti Viragh